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This is where the genre earns its "drama" suffix. External obstacles (family, war, class) are useful, but the great romantic dramas use internal obstacles. Pride. Fear of abandonment. Trauma. In Marriage Story , the rupture isn't a villain; it is the slow, bureaucratic stranglehold of divorce on two people who still love each other. The audience doesn't just watch the fight; they feel the exhaustion of it.

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Since "Romantic Drama" and "Entertainment" are broad concepts, I have broken this down into that define how these two elements intersect. This is where the genre earns its "drama" suffix