To enter the Alisha Asghar gallery is to immediately sense a shift in power. Traditional fashion photography, particularly in the Western canon, has long been defined by what critic John Berger called the "male gaze"—a perspective where women are presented as passive subjects to be surveyed. Asghar, a British-Pakistani visual artist, dismantles this framework from the inside out. In her photoshoots, the subject (often the artist herself or a muse bearing similar cultural markers) does not pose for an external admirer. Instead, she performs for herself.
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