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During this era, the camera turned inward. It examined the dissolution of the joint family system ( Tharavadu ), a cornerstone of Kerala's social fabric. Films like Elippathayam (Rat-Trap) by Adoor Gopalakrishnan served as metaphors for the suffocating chains of tradition and the feudal decay that was setting into the Nair households. Meanwhile, the works of K.G. George, such as Yavanika , questioned the moral duplicity of society.
