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Furthermore, the genre is addicted to the "Hero’s Journey" even when it doesn't fit. Very few documentaries have the courage to admit that the protagonist is simply a narcissist with good PR. Even in the exposés, there is a tendency to "redeem" the subject in the final fifteen minutes with a title card about their charity work. The best documentary of the last decade, Amy (2015), worked because it refused this. It ended with the sound of a dial tone. It reminded us that the entertainment industry doesn't just kill the body; it exhausts the spirit until there is nothing left to say.