Anna’s title is ironic: her "motherhood" is purely transactional. Unlike traditional maternal figures, she is detached from the lives she destroys. Her children are pawns in her quest for survival, a metaphor for how war consumes all it touches.
Kazališne djelatnike: Priprema adaptacija i proučavanje didaskalija koje su u ovom djelu izuzetno detaljne.
Anna’s title is ironic: her "motherhood" is purely transactional. Unlike traditional maternal figures, she is detached from the lives she destroys. Her children are pawns in her quest for survival, a metaphor for how war consumes all it touches.
Kazališne djelatnike: Priprema adaptacija i proučavanje didaskalija koje su u ovom djelu izuzetno detaljne.
