👉 : Isekai (trapped in another world) remained dominant, but audiences also craved character-driven, mystery, or psychological thrillers.
Japan remained the highest ARPU (Average Revenue Per User) mobile gaming market in the world. In 2021, (Chinese-developed, but Japanese-style gacha) overtook native Japanese titles in revenue. In response, native giants like Cygames doubled down on Uma Musume: Pretty Derby —a horse girl training sim/racing game that became a cultural juggernaut, generating over $1 billion in revenue within its first six months of 2021.
The year 2021 was significant for Japanese media, marked by the continued rise of digital platforms, the release of highly anticipated films and series, and a deeper global penetration of Japanese pop culture. This period was also notable for the challenges faced due to the COVID-19 pandemic, which influenced production schedules, viewing habits, and the way content was consumed and created.
👉 : Isekai (trapped in another world) remained dominant, but audiences also craved character-driven, mystery, or psychological thrillers.
Japan remained the highest ARPU (Average Revenue Per User) mobile gaming market in the world. In 2021, (Chinese-developed, but Japanese-style gacha) overtook native Japanese titles in revenue. In response, native giants like Cygames doubled down on Uma Musume: Pretty Derby —a horse girl training sim/racing game that became a cultural juggernaut, generating over $1 billion in revenue within its first six months of 2021.
The year 2021 was significant for Japanese media, marked by the continued rise of digital platforms, the release of highly anticipated films and series, and a deeper global penetration of Japanese pop culture. This period was also notable for the challenges faced due to the COVID-19 pandemic, which influenced production schedules, viewing habits, and the way content was consumed and created.
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