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| Era | Literary Example | Cinematic Example | Core Themes | |-----|------------------|-------------------|-------------| | | Medea (Euripides) – mother to her children, but also a mother to her son’s future (the murder of Jason’s new heirs) | The Epic of Gilgamesh (ancient oral tradition) – Gilgamesh’s relationship with the goddess‑mother figure is indirect but frames his quest for legacy | Fate, sacrifice, divine motherhood | | 19th‑Century Realism | Anna Karenina (Tolstoy) – Konstantin’s mother is an absent, idealized figure, shaping his moral compass | The Birth of a Nation (1915) – the “Southern mother” trope informs the son’s racial worldview | Social duty, moral inheritance | | Modernist & Post‑War | The Glass Menagerie (Williams) – Tom’s mother, Amanda, is overbearing and nostalgic | The 400 Blows (Truffaut, 1959) – the mother’s fleeting affection frames Antoine’s rebellion | Alienation, yearning for freedom | | Late‑20th Century | Beloved (Morrison) – Sethe’s mother‑like love for her children, including a son who dies early, haunts the narrative | Mildred Pierce (1945) – mother’s sacrifice for son’s success, but ultimately self‑destruction | Class mobility, maternal ambition | | Contemporary | The Goldfinch (Toni Ferguson) – Hobart and the mother figure (Pippa) shape the boy’s sense of belonging | Lady Bird (Greene, 2017) – a turbulent but tender mother‑daughter; the son subplot (Danny) echoes similar tensions | Identity, generational trauma, cultural hybridity | by Val Wood (narrated by Anne Dover) enjoy

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Truffaut deliberately uses “mise-en-scène” to make the mother’s home a cage, establishing a visual metaphor for patriarchal control.